The distribution between the sections takes place through the sign of a lightweight modular structure in blue steel, which is divided between the pillars of the central span of the Great Mile space. A solution that respects the original architecture, assuming its order as its generative matrix, declining in multiple and different forms to integrate and connect cases and finds, opaque diaphragms for paintings, datatelling graphic elements, and a specific presence of multimedia installations and interactive exhibits that offer a wide range of insights and immersive moments. Throughout the route, which runs along the three naves into which the space is divided, a strip of light placed near the final section, on which the articles of the Italian Constitution flow, is always visible, like a beacon. This installation wants to symbolize how the words and concepts contained in the constitutional charter, of which an original copy is present in a case, are the crowning of the Risorgimento struggles.

It is outlined as a large mirrored prism, almost invisible, at the center of the path; in a barycentric position with respect to the floor plan, accessible from both side wings. Through the interaction with a timeline, it allows you to explore in detail the events of two centuries of history on a European, Italian and Brescia scale, divided into ten stages, illustrating in detail the events, battles, social movements, up to contemporaneity.

The mirrored, off-scale cubic volume defines an internal environment, occupying an entire span of pillars. Obscured and collected, it constructs an immersive intervention that tells, with animations and a spatialized sound background, the historic days of the Brescia insurrection, marking the story for every single day.

Another fundamental element of the multimedia infrastructure is the idea of theatrical performance. In fact, along the various sections, some stations are distributed from which it is possible to take advantage of testimonies and readings of works of the time interpreted both by important actors of the Italian theater scene, such as Giole Dix, Maria Paiato, Daniele Squassina, and by young students of the Dramatic Academy of the Piccolo Teatro in Milan. These, some testimonies interpreted by the students, can be found in an interactive exhibit entirely dedicated to the Garibaldini Bresciani, where it is worth stressing that photographic portraits are present of each of them. In the same area there are finds and objects that belonged to the protagonists.

The legacy of the Risorgimento read through the names of the streets, squares and avenues of all Italian municipalities. A use of data visualization languages to represent the enormous popularity of the Risorgimento era in the country's dentistry, from north to south.